主演:阿加塔·布泽克 克里斯提娜·杨达 安娜·波洛尼 马辛·多洛辛斯基 亚当·沃诺维茨 布罗尼斯拉夫瓦格拉斯基 Lukasz Konopka Blazej Wójcik Jerzy Bonczak Jacek Poniedzialek Joachim Lamza Olena Leonenko 马雷克·普罗博什 克拉拉·比拉瓦卡 Agata Zalecka 格泽戈兹·伊曼纽尔 Krystyna Tkacz Wojciech Skibinski Maciej Dancewicz Jerzy Moes Jolanta
导演:鲍瑞斯·兰考什
简介:萨宾娜30岁了,她的母亲和祖母都试着为她寻找结婚对象却未果。有一天,她遇见了一位酷似电影明星的年轻男子,并对他产生了兴趣。他的出现惊喜连连,使三位女性的生活发生了变化…… A story about women, set in the present and in 1950s Warsaw. The main character is Sabina, a quiet, shy woman who has just turned thirty. Clearly, she lacks a man in her life. Her mother knows all about it and tries at all costs to find her daughter a good candidate for a husband. The whole situation is controlled by the grandmother, an eccentric lady with a sharp tongue from whom no secret can be concealed. Successive admirers arrive at the pre-war tenement where the women live, but Sabina is interested in none of them. One day, appearing out of nowhere, comes the charming, intelligent, and terribly good-looking Bronislaw. His presence will spark off a series of unexpected events revealing the darker side of the women's nature. Written by Warsaw Film Festival 本片是导演Borys Lankosz的故事长片处女作,也是纪录片导演Lankosz首次拍剧情片。该片是击败了《商场女孩》和《疯人院》两部电影获得的参加奥斯卡最佳外语片角逐的机会。
简介: Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
简介: In this futuristic sci-fi film, based on the legends of the Golem, insane scientists have invented technology that give them total control over the half-human, half-android population of Earth. Trouble ensues when one of the creatures begins showing independent will. He must be destroyed lest he influence the rest. They pursue him, but somehow he continues to elude the evil doctors. ~ Sandra Brennan, All Movie Guide
简介: In this futuristic sci-fi film, based on the legends of the Golem, insane scientists have invented technology that give them total control over the half-human, half-android population of Earth. Trouble ensues when one of the creatures begins showing independent will. He must be destroyed lest he influence the rest. They pursue him, but somehow he continues to elude the evil doctors. ~ Sandra Brennan, All Movie Guide
主演:约翰·吉尔古德 克里斯提娜·杨达 安德烈·瑟韦林 扬·切切尔斯基 玛丽亚·塞韦伦 约瑟夫·弗里兹莱维奇 扬努斯·加约斯 Mary Ann Krasinski 安娜·沃帕托夫斯卡 Mavis Walker 塔德乌什·切霍夫斯基
导演:安杰伊·瓦伊达
简介: A violinist in a provincial Polish orchestra, whose husband is the director of the ensemble, on a visit to the US ties up with the world- renowned symphony conductor. As it turns out he was once in love with violinist's mother. The conductor, a slightly unstable hypochondriac, returns to Poland to lead the provincial orchestra. He also tries to revive old love affair using the violinist as a surrogate of her mother. Her husband is resentful of the conductor for both personal and professional reasons.
主演:阿加塔·布泽克 克里斯提娜·杨达 安娜·波洛尼 马辛·多洛辛斯基 亚当·沃诺维茨 布罗尼斯拉夫瓦格拉斯基 Lukasz Konopka Blazej Wójcik Jerzy Bonczak Jacek Poniedzialek Joachim Lamza Olena Leonenko 马雷克·普罗博什 克拉拉·比拉瓦卡 Agata Zalecka 格泽戈兹·伊曼纽尔 Krystyna Tkacz Wojciech Skibinski Maciej Dancewicz Jerzy Moes Jolanta